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Amarilli mia bella, improvisation for ensemble (after Giulio Caccini)

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Amarilli, Mia Bella

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Amarilli, mia bella - Gm (PIANO & VOICE)

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Pat Metheny. Billie Eilish. Bob Mintzer. Howard Goodall. The most dramatic moment in the opening device, a descending diminished fourth Bb'-F' , was changed into Bb'-A', sounding much more everyday. Van Eyck seems to have de-dramatized the notes, which he also did in other melodies.

It is not as simple as that, however. He followed an existing model, a model even predating Le nuove musiche.

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According to Ruth van Baak Griffioen, 'Amarilli mia bella' arrived rather late in the Netherlands: 'The first surviving printed source is from This is one year prior to the edition of the Italian 'original', Le nuove musiche. Remarkably, 'Amarilli' is the only anonymous piece of the 33 madrigals included in the Ghirlanda collection. Van Eyck's version clearly mirrors this polyphonic model. A version published in the Netherlands undoubtedly found an easier way to Utrecht than a print from Italy. The Ghirlanda di madrigali seems to have been the most important source for the dissemination of 'Amarilli' north of the Alps.

For the score, click on 'more' and then go to 'ensemble music'. Matthijsz used the bass part when he turned a solo variation by Van Eyck into a duet arrangement [NVE 84].

Amarilli mia bella. (Musical score) [erdzunroposka.gq]

Of the six parts, the quinto has disappeared, but all the others have survived. In the opening device, the Bb' is followed by A' the F ' appearing in the sesto part. Apart from a few minor differences, Van Eyck's version is identical to that from the Ghirlanda.